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Encountering Emily: Alberta Women’s Responses to Magistrate Murphy
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The beauty of Virginia Clin's fragmented expression and the sadness of her
story are moving. I can only wonder what Murphy's response to this letter was,
whether she felt any twinge of genuine affinity for this woman's situation or
whether she would have completely cut herself off and insulated herself from the
risks of extending her moral imagination into the insight and pain of this
woman. From what they have left for us to understand them by, it would seem that
the scattered, poignant, authentic, and poetic world of Virginia Clin was
altogether uninhabitable for Emily Murphy.8
Even this one example of an encounter with Emily reveals that our project of
relating to her historical persona is now necessarily conflicted. We may
question whether her attitudes and actions can be fairly judged by our standards
of equality and inclusiveness. We may seek to acknowledge and celebrate her
accomplishments while expressing regret about her multiple forms of bigotry. But
unqualified veneration of Murphy is no longer available as a legitimate response
to her legacy.
In coping with these complex emotional responses to our history it is
instructive to refer to the work of historian Eric Foner.9 Foner argues that our
relationship to history can become more meaningful if, instead of trying to
obliterate and tear down those historical figures whom we now find embarrassing
or reprehensible, we would juxtapose our old memorials to tarnished heros and
heroines with new counter-memorials signifying our critique of these figures as
well as our recognition of the struggles of those whom they oppressed. Drawing
on this insight we might, for example, respond to the recent controversy over
whether a battered women's shelter should no longer bear the name of Emily
Murphy given her complicity in inequality and injustice10, by forgoing the
impulse to expunge Murphy's name while also embracing the need to recognize
those people who were victims of her injustice. Perhaps, our historical
understandings would be immeasurably enriched, made more authentic and complex,
if we were even able to imagine naming a battered women's shelter Emily
Murphy and Virginia Clin House.
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Aspenland II: Life and Work of Women in Central Alberta: a publication
of the Central Alberta Regional Museums Network and the Central Alberta
Historical Society, Spring 2003, edited by David Ridley.
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