Page: 1
2 3
4 5
6 7
8 9
10 11
Sustainability—From time
immemorial, First Nations apparently had codes of knowledge,
identified as traditional knowledge among scientists and
scholars today, that constituted a body of understanding about
nature and people’s roles. The interesting story is told of the
Mohawk going to war again its neighbours because they killed all
the beaver, including the females in a destructive raid.
Sustainability was so prized among the Cree that leadership in
husbanding resources was a measure of greatness, a "giftedness."
The sustaining notion, nakateyimmiwewinikh,
meaning in a protecting manner, is connected to
nakateyihcikewin, which is the act of scrutinizing or
being heedful, and to the idea of respect elucidated
above. What specific data we have of this conception arises
from the little material we have been able to cull from
traditional knowledge…and much of this lore has died with the
most venerable hunters. At any rate, it is clear that this was a
considerable part of Nature’s Law.
Respect—We mentioned above
the significance of respect. We noted there that "the Cree word wahkohtowin expresses the notion of an overarching law
of respect and belonging. One belonged, first and foremost,
to the sacred order of things laid down by the first Creator.
One also belonged as a member of the family of the first
ancestor, so the word could equally be used to describe
"descendant." Decisions about who did or did not belong were
indicated by attendance at such invited gatherings." Respect was
the oil that kept the Aboriginal system functioning properly…it
is clearly connected to kihci, since that word can be translated
in measures of respect and honor. Further, the notion of kihci
reflects what we would call an ethic…one lived an ethical life
if one always operated with respect. We catch a flavor of
respect’s meaning from the reminiscences of elder Adam Salopree,
Dene Tha’, of the Meander River Reserve. Even though he uses
Christian terminology to express his ideas, and clearly has
theological understandings woven throughout his explanation,
something of the importance of respect overrides; Meili
recounts:
If people pray when
they’re young, it seems like God gives you the power to
respect other people and all things in the world. If you
pray later in life and you’re a very good person in all
kinds of ways, then when you die your spirit goes right up
to heaven and God welcomes you. He takes you right away.
Adam explains that
the spirit separates from the body at death and has two
directions to go. "If your spirit doesn’t go to heaven, if
you did wrong and didn’t pray, these are the people who
just wander around this earth and they suffer a lot. They
have to stay in an awful place like purgatory until
they’re ready [to go to heaven]. In the Indian way,
prophets can see these wandering people in their dreams.
They are cold and they suffer. The ones who are still
around, some people can see them at night, too." Many Dene,
especially the older ones, wear red ribbons attached to
their clothing to keep them protected from wandering
spirits at night.
"If people are
really bad, God can’t take them and they are reborn on
this world. They come back to a woman when she’s
pregnant." These spirits must live earthly lives again and
again until they learn to live according to the Creator’s
laws and can be accepted by Him, Adam stresses. He shakes
his head and wonders how people who understand the
continual birth-death-rebirth cycle, and the endless
miseries that it brings with it, can be foolish and blind
enough to do bad things in their lives and choose to stay
on the wheel.
Adam finishes
talking and offers to sing. His voice merges with the
sound of his drum, rising and falling with the cadence
that makes Dene singing so distinctive. His last, high
note hangs in the air like the smell of smoke from a
camp-fire. Silence fills the room and no one - not I, nor
Maggie, my interpreter - feels like talking as we hold the
sounds of the song in our minds. Though Adam sings in a
language different from mine, it is obvious the song’s
words are deeply significant to him.
Finally, he breaks
the silence and explains he felt deep emotion while
singing. He confirms the song is special; it is the one
his father sang for his mother before she died. (Meili
130).
|