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Training for Tranquility in the Kurimoto Japanese Garden
-page 2

The detailed rules of dress, posture, manner of walking, and precise handling of items are overwhelming to most beginners. We learn patience and humility, sitting quietly on our knees for the seemingly endless time required for the preparation of a bowl of tea. Legs tingle, cramp, become leaden and numb. It is an exercise to ignore legs and focus on the procedure. Earnest students of chanoyu must learn to concentrate, not to memorize sequences of gestures or perfect placement of utensils, but rather to prepare tea or receive and drink tea with a flow and feeling. Movements of timing, care and grace, when done correctly, create a unique harmony between people.

Sen Soshitsu, the current 15th-generation grand master of Urasenke (school of tea), writes that these rules are "not meant as obstacles, nor as an end in themselves. They are only as a finger pointing to the moon." In the diligent and disciplined study of these rules and steps, even the beginner finds a window of wonderful discovery-perhaps a spiritual opening.

As with much that is most precious and elusive, chado cannot be easily acquired or quickly understood. Members of our group come from diverse backgrounds and lifestyles. However, each of us has a sincere interest in studying chanoyu. With humour and patience we practice monthly, fortunate to have an excellent and inspirational teacher who comes regularly from the Urasenke Foundation of Vancouver. It is not only learning the performance of tea ceremony which draws me, but the cultivation of new awareness and inner tranquility which enriches and enables me in everyday life.
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Reprinted with the permission of Janet Yoneda and Legacy (August-October 1998): 52.
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